Widescreen. Political intrigue, betrayal, peril and forbidden romance play out in this lavish, critically acclaimed historical drama set in the royal palace of Korea's ancient Joseon Dynasty, when a lowly peasant is forced to masquerade as the tyrannical king, who has fallen ill. Stars Byung-hun Lee. In Korean with English subtitles. 131 minutes.
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Oral history interview with Holocaust survivors John Rinde and Irene Rinde, siblings born in Poland in 1935 and 1937. Their family moved to Lvov in 1939 when the Soviets invaded and lived there for three years, the last six months of which were spent in the ghetto. In 1942 their parents acquired false papers and the family escaped to Lublin, where they pretended to be Polish Catholics until the war ended. During this time, they sheltered several relatives in their house, assisted by their father's boss, who gave him extra money, found jobs, and provided other helpful services. They continued to masquerade as Catholics in Lublin and Gdansk until 1945, when they went to France to immigrate to the United States. Upon discovering how long that process would take, they settled in Paris and had planned to stay there, but when the Korean War started their father, fearing World War III, decided to leave Europe. The Rinde family arrived in the United States in January 1952 when John was seventeen and Irene was fourteen.
A different aspect of mimicry, one that touches upon the relationship between self and environment and, in an extended prospect, the individual and society, citizen and government, was well articulated by French theoretician Roger Caillois. Just a few years after Riviere expanded her understanding of masquerade, Caillois wrote his quintessential text Mimicry and the Legendary Psychasthenia9 which was first published in Minotaure, the Surrealist journal.10 Here he argued that mimicry of the background expresses not only a desire for protection and defence, but actually a strong yearning to assimilate and become part of the world, in a pantheistic desire to lose oneself and become an invisible part of the environment:
The articulation of the Deleuzian simulacrum embraces the notions of mimicry, masquerade and camouflage in their broadest sense. Simulation is a process that produces the real, or even the more-than-real. However, simulation
When watching movies with subtitle. FshareTV provides a feature to display and translate words in the subtitle You can activate this feature by clicking on the icon located in the video player 2ff7e9595c
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